Biography of the artist Chursina

The latest news biography is an ice queen, embodied intelligence, an impossible beauty - in these characteristics, which Lyudmila Chursin gave up with numerous photos, there is not a word of untruth, with only exception - Lyudmila Alekseevna is not an “icy”, but an open and sociable person. She does not accept terms like “legend” and “star” at all, considering them superficial.

Childhood and youth according to the official version, the future star of Soviet cinema Lyudmila Alekseevna Chursina was born in Stalinabad a modern Dushanbe. The artist herself said that her place of birth in June became a medical battalion near the village of Gruzdovo in Pskovshchina. Having conducted her husband to the front, Genovef Ivanovna Chursina from Riga in the last months of pregnancy went to her mother in the Great Luke, and then to the mother -in -law in Stalinabad.

Only upon arrival in Tajikistan, she was able to register the birth of a child. In Stalinabad, the Chursins survived the war years, and then again went on the road. After the war, the family traveled around the country for a long time, which was connected with the work of my father: Alexey Chursin - a personnel officer. Arctic, Chukotka, Kamchatka, the Caucasus - they lived a little everywhere.

For a while, the family stopped in Georgia. In Tbilisi, Lyudmila went to school. The girl quickly learned her tongue and local culture, with pleasure sang Georgian songs.

She studied well at school, gave preference to accurate sciences, especially physics and geometry. Starting from the 7th grade, Lyudmila studied in the Great Luki, where parents lived before the war. Then the actress graduated from school, and with a gold medal. In her youth, she saw herself in the exact sciences and was going to receive higher education in one of the technical universities.

As an option, the aviation institute was considered. I didn’t even think about the creative path, and I was complex about the tall growth for a woman - see instead of entering the planned university, Chursina went to the theatrical one for the company with her friend. And not in one, but immediately three. Luda chose the last. But her friend was not lucky - she failed exams.

In the year, Lyudmila received a diploma of the theater school. The theater at the end of the Chursin university entered the service at the Evgeny Vakhtangov Theater and lingered there for 3 years. The artistic director Ruben Simonov invited her to the troupe. On this scene, the novice actress debuted - first in the mass of the play “Princess Turandot”, then in a small role in the production “Russian Forest”.

But soon Lyudmila already offered more significant roles. After moving to her husband to Leningrad, modern St. Petersburg Lyudmila Alekseevna gave out exclusively cinema for some time, and returned to the theater and, combining shooting in new films and work on stage, served in the Leningrad Drama Drama of Alexander Pushkin now the Alexander Theater for 10 years. In the year, the artist moved to Moscow.

In the theater of the Soviet Army, she was offered a role that Chursina dreamed of for many years. For the sake of Nastasya Filippovna from the "Idiot", she was ready to change both the theater and the city. The actress did not regret it. Work on the image was exhausting, but extremely exciting. To convey the contradictory nature of the heroine, as if embodying all existing vices and virtues, and at the same time be natural - titanic work.

Lyudmila Alekseevna coped with this difficult task. Each time Nastasya Filippovna in the presentation of Chursina was different. Each time, something was added and transformed in this image, causing empathy of the audience and the strongest emotions from what they saw. The characters that the actress went to were always complex and multidimensional. To play them, get used to the proposed images, Chursina had to spend a lot of mental strength.

But the result was stunning. The theaters were delighted with her heroine from “God, keep the king” according to the work of the Somerset Maugham. This performance by Leonid Haifets has been kept in the theater’s repertoire for more than a dozen years, and each production was accompanied by a full hall of the audience. The whole performance the heroine sits in the office of the psychoanalyst with whom the conversation is conducting.

To make an exciting monotonous play so that the audience was in suspense - this task was feasible only for a talented actress - such as Lyudmila Chursina. Here the heroine of the woman is magnificent and royal. Catherine II and Empress Maria Fedorovna performed by the artist naturally looked natural, because aristocracy is an innate line of Chursina herself. The play “Game on the keys of the soul” was at all staged by Alexander Bourdonsky specifically near Chursin.

Chursina's age has already stepped over the summer line, but the actress and now continues a creative career. The theater repertoire of the artist in the theater of the Russian Army in M ​​included the productions of “Two tickets to Milan”, “Elinor and her men” and others. Soviet cinema the first small roles in the cinema in the beginning of X allowed the artist to get the necessary experience.

The country remembered the young Chursin after the release of the Drama "Don Tale" according to the works of Mikhail Sholokhov. Her partner in filming was the low Evgeny Leonov.Struck by the high growth of the actress, who also came in heels, he called Lyudmila a pole. But by that time, the girl had already overcome teenage complexes and advised Leonov to find a bench by that time.

In order for the heroes to look harmoniously in the frame, the actress had to get into specially dug pits - this leveled the difference in a height of 12 cm. In m, the detective film of the director Herbert Rappander “Two tickets per day session” was released on the screens. The remarks of the heroine of the Chursina Inca Estona were dismantled. And because of the phrase: “I am Merlin Monroe, I have the same bra, I understand?!

The prize of Lyudmila Chursina was awarded by Audrey Hepburn herself. In the same year, the 4-episode drama “Gloom-River” was released-the adaptation of the novel of the same name Vyacheslav Shishkov, which only in cinemas watched 15.5 million spectators per series. The protagonist of the family saga was to be embodied by Vladimir Gusev, but right on the set, he received a fracture of the leg, which brought George Epifantsev to the film.

The number of spectators of the revolutionary drama of “Virinea” directed by Vladimir Fetin with Chursina in the title role is also impressive - 34.6 million. Lyudmila Alekseevna struck the audience so much that the Talent of the Vasilyev brothers were also awarded the Talent of the State Prize named after these three paintings: Chursina received an invitation to Hollywood.

She was offered a contract for 3 years and work in 15 films. An obstacle to the "Dream Factory" was ignorance of the language and the reluctance of the authorities to let the star of the communist power into the cradle of bourgeois cinema. But the cinema of Chursina developed without Hollywood. Another cash adaptation with the participation of Lyudmila Alekseevna, which was estimated by 25 million Soviet spectators, was released in M, the drama of Olesya according to the same story by Alexander Kuprin.

The film was supposed to be 2-series, but the Goskino leadership was insisted on moving the tape, and also received an indication of changing the name-initially it sounded, like the work of Alexander Pushkin, “Arap of Peter the Great”. Vysotsky was offended by the change of name, because he was supposed to become the main character of this story, but turned out to be "after Tsar Peter and, moreover, after aim." Bard wrote for the picture two songs that did not appear in the tape.

Attention to the artist was more than close. Modern Chursin films did not disappear from the screens and after the collapse of the Union. In years, she starred in the main female role in one of the first Russian television series-Goryachev and others, which was broadcast on the 1st Canal Ostankino. In the artist, along with Vyacheslav Tikhonov, Leonid Kuravlev and Emmanuel Vitorgan, she entered the cast of the detective drama of Vsevolod Shilovsky The Code of Crumments.

In the XXI century, the actress replenished roles in such rating series as Margosha, Interns, Closed School. The drama of the director Tatyana Arkhiptsova “My husband is a genius” of the year laid a book of memoirs of the widow of Soviet physicist Lev Landau. However, the picture was far from admiration for everyone - so, academician Vitaly Ginzburg called the film a false one. Another historical ribbon with the participation of Lyudmila Alekseevna was a multi-part Russian-Belarusian film “Hunting for Gauliter”.

The main roles in the tape were played by Anastasia Zavorotnyuk and Maria Mashkova. The creators of the project did not claim historical reliability, but the drama received good reviews. The biographical tape "Orlova and Alexandrov" is based on the love story of the most beautiful couple in domestic cinema. When creating the plot, memoirs of associates and archival documents were used, which made it possible to make the film as close as possible to reality.

After a long casting, Olesya Sudzilovskaya became the performer of the role of Orlova, since the actress was able not only to dance, but also to sing - she performed most of the vocal parties herself. By virtue of age, Chursina got the role of the mother of the main character. In the 8-searry comedy “Mougmentar” with Julia Volkova and Mikhail Troika in the main roles, the artist appeared in Camo.

This happened partly because there are fewer attractive scenarios, but Chursina occasionally agrees to the role so as not to lose the profession. Television in an interview from year to question the journalist about what the actress is most proud of, she replied: “The fact that he is still alive! In the year, in the program with Julia Menshova “alone with everyone”, Chursin again confirmed that the image of a strong woman exactly reflects her real nature.

According to Lyudmila Alekseevna, "little is interested in grayness, and the best defense is an attack." The following year, Chursina became the heroine of the ideal repair program. Designers had a difficult task - the actress prefers classics and a minimum of details. Especially for a one -room apartment, furniture with a special coating according to an individual sketch was developed.

The only room turned into a bedroom bedroom, experts increased the area of ​​the room due to the attachment of the balcony. In the same year, the artist was invited to the program “My Hero”.In an interview with Tatyana Ustinova, Lyudmila Alekseevna spoke about her difficult path to glory, on which Chursin was accompanied not only by difficulties in the profession, but also by tragedy in personal life.

In the program “The Fate of Man” with Boris Korchevnikov, the actress admitted that she was in the balance of death, spoke about her husbands and that Armen Dzhigarkhanyan and Nikita Mikhalkov looked after her. In December, the actress became the guest of the program “My Hero”, in an interview with the host Tatyana Ustinova Chursina, spoke about her meeting with Elizabeth Taylor and morals in the acting environment.

Personal life during the study of Chursina was carried away by the teacher and actor Vladimir Etush, so that he was going to leave his wife and a young daughter.