Brief biography of Hauf

The latest news biography of the famous German storyteller Wilhelm Gaufa took fate very little time to reveal the potential of a creative person with an amazing imagination and recognized literary talent. In a short life, the writer managed to work in many genres and leave a mark in German literature of the 19th century as the author of poems, novels, stories and popular fairy tales all over the world.

Childhood and youth Wilhelm Gauf was born in Germany on November 29. The family lived in Stuttgart and occupied a prominent social and social status. The father of the future writer, August Frederick, followed in the footsteps of his ancestors, high -ranking statesmen, and held a office position in the Ministry of Foreign Affairs. The mother, who was called Jadwig Wilhelmin Elsesser, was a noble nobleman from Alsace, the historical region of France, which since the 17th century was considered the subject of wars and political conflicts.

Vilgelm Wilhelm spent the monument to Wilhelm Gaufu in the company of three brothers and sisters, as well as cousins ​​named Louise. When the boy was 7 years old, August Frederick unexpectedly passed away, and Jadwiga transferred the children to the estate of her own father, who was in Tubingen and famous for a high level of education and a large selection of educational institutions.

The new city, which was distinguished by a romantic atmosphere, fascinated the boy and reflected on his worldview. Before going to school, Hauf learned to read, he sat for a long time behind the books of the classics of world literature, who was in abundance in an old library belonging to his grandfather. The adventure novels of the world -famous Scottish prose writer Walter Scott and the fairy tales of the German folklorists of Jacob and Wilhelm Grimmov had a special influence on the boy.

Wilhelm Gauf in his youth, book plots deeply penetrated the heart of an impressionable child and, mixing with his own fantasies, became the basis of the first fairy tales told before bedtime younger brothers and sisters. When it was time to think about the future, the mother sent a young Gauf to study at a church school at the monastery, hoping that the descendant of a noble family will eventually become a priest and will enter a new page in the history of an venerable surname.

Wilhelm was an obedient teenager and, obeying the will of the parent, graduated from an educational institution and entered the oldest university of tubing at the faculty of philosophy and theology. Being a diligent student, Wilhelm perfectly mastered the theory, but it didn’t reach the practice, and the young doctor of theological sciences, instead of a church cassock, put on the form of a teacher, settled by a tutor in the Baron's family of Ernst Yugen von Herel.

The portrait of Wilhelm Gaufu shortly before, in the year, Gauf anonymously published a poetic collection called “Military and Folk Songs”, which contained folklore works of German romantics and 2 poems of his own composition. The young man was drawn to literature, but constraint in the means forced him to continue his career as a teacher in the house of a wealthy aristocrat.

Raising the children von Hugel, Wilhelm got the opportunity to see the world. He visited several cities of Germany, including the motherland of the Grimm brothers, Cassel, and then visited France and Belgium and got acquainted with the sights of the capitals. The acquired impressions of Gauf Obt in literary form and, supplementing with fabulous plots, published 8 magic stories in Almanac for children from the noble classes of the year.

Books in the first years of the literary biography of Gauf were shrouded in secret anonymity. Following a couple of poems, the novice writer composed and published 2 parody works that ridicule the style and manner of modern German authors. The writer Wilhelm Gauf was the reason for the public indignation and subsequent trial was that in the work Wilhelm used the signature of the famous German novelist of that time Henry Clauren.

The young author was ridiculed for the ornate syllable and mediocre stories of his colleague and was forced to pay 50 thalers as compensation for the insult. Having become famous in such a strange way, Gauf began to compose the original historical novel Liechtenstein, who narrated about the adventures of heroes in the era of the peasant war, capturing Germany in the 1st half of the 16th century.

The proximity to the people and the use of national color determined the success of the work. Liechtenstein Castle is interesting that the book that liked readers was subsequently immortalized in architecture. Based on the descriptions of Gauf, his fan, Duke Wilhelm von Urah, built Liechtenstein castle in the ruins of the family fortress in Baden-Württemberg in the south-west of Germany in the year.

After the release of the novel, the audience looked at the young writer and his works in a new way. Tales published from the years have gained popularity and made Gauf one of their favorite German authors.Despite the fact that magical stories plunged young children into horror, they carried knowledge about a world complete good and justice, and condemned the indifference and meanness of heartless and evil people.

The illustration of Wilhelm Gauf “The Story of Little Flour”, in the “History of Little Flour,” Hauf told about the lonely fate of a boy, turned the sorceress into a freak and forced to wander around the world in search of human warmth.

And in another fairy tale called “Cold Heart”, the author created a portrait of a hero who lost his emotions and embarked on the path of cruelty and indifference. The most terrible of the fairy tales of Gauf was the “History of the Ghost Ship”, which included in the “Frame” story called “Caravan”. In it, the writer painted a terrifying picture of the murder of the pirates in an innocent monk and, in punishment, plunged the heroes on eternal torment for a terrible crime.

The illustration of Wilhelm Gauf “The History of the Ghost Ship”, this work, along with the “History of the Califier of the Aista” and “The Salvation of Fatima”, was filled with eastern color and worldly wisdom that a person in the answer for his own words, thoughts and actions. In Germany, the second “almanac for sons and daughters from noble classes” was printed in Germany, including 9 magic stories of the Gauf.

Unlike the previous collection, this writer devoted to scenes from the life of his homeland, drawing them in the genre of traditional German fairy tales. In addition, the gloomy tone, characteristic of the works of the 1st cycle, was replaced by entertaining and life-affirming. The illustration for the fairy tale of Wilhelm Gauf “Dwarf Nose” was a striking example of the fairy tale of the second “Almanac”, a story called “dwarf nose”, narrating about the life of an enchanted boy who could cook well and, despite the repulsive appearance that became famous at the court.

This work became so popular in Germany and the rest of the world that the basis of theatrical productions, films and cartoons formed, but was one of the latter, published during the life of the author. In total, Gauf wrote about 20 fairy tales, 2 novels and 11 stories. His poems became folk songs, and works for children went down in the history of the classics of German literature.

The personal life of the personal life of William Gauf is known. The biographers considered the writer a happy person, contrary to the traditions marrying a girl by love, and not by agreement of relatives. His chosen one was the youngest cousin Louise, whom the storyteller admired from an early age. Wilhelm Gauf and his wife Louise, the girl reciprocated, and as soon as Gauf got to his feet, settled by the editor in the daily edition of the Morning Leaf, the young people got married and lived a short but happy life.

Death in the year Gauf worked on a new novel, which was supposed to be a stylistic continuation of the sensational Liechtenstein. For the material for a new work, the author went to the Alps, but on the road he was seriously ill and was forced to interrupt the journey. The grave of Wilhelm Gauf at home was better, and the family hoped for a quick recovery. For some time, the young body fought with the infection, but could not withstand the pressure of the deadly virus.

The cause of the death of the storyteller, presumably, became the venture typhoid.