Biography of Svetlana Koroleva

And the whole royal life. The actress of the Serov Theater of Drama Svetlana Koroleva celebrates the anniversary of Serov on July 5 of the Serov Works of the Queen are different. Inaccessible and conceited, capricious and stupid. And there are - strong, smart, unbending and self -sufficient, remaining the queen, even if the crown has to be put aside, our heroine has a surname in which the play of the words “queen -queen” haunts her through life.

And this is not surprising. Svetlana Vasilievna Koroleva - the figure is outstanding, prominent, not to notice her himself and her talent - acting, organizational, human - is impossible. Honored Artist of Russia, actress of the Serov Drama Theater, who worked as a director for many years. Today she is also the head of the People’s Theater of the DCM, the director and director of many mass city holidays.

The theater as a way of existence for the author of these lines is the name of the current anniversary. The fact is that the beginning of my conscious love for our theater has an exact date - March 27 of the year. On that day, the creative evening of Svetlana Koroleva took place. In memory, the incredibly warm atmosphere that arose on the stage and in the auditorium, which was created by the host of the evening - the chief director of the theater, Viktor Dmitrievich Uzun, remained forever.

In the theater archive, the publication from the "Serov worker" telling about this event has been preserved. It has Uzun’s words about Koroleva, who very accurately convey the essence of her creative nature. In general, this is a rarity in the theater. Of course, the root cause of her success is a great acting gift, a complete and deep mastery of the profession.

But not only that. For Koroleva, the theater was, is and will always be something much more than profession and vocation. For her, the theater is a way of existence, the only possible. What am I putting into this concept? Korolev - by nature, a man is very energetic and active, in education and self -education - an exclusively transformed to life, a person of a broadest creative and human range.

A large -scale personality and she will still show herself. Everything only begins in her two years, in M, she is assigned the title of “Honored Artist of the Russian Federation”. In the same year, she was appointed director of the theater. Director Edgard Solovyan, the husband of Koroleva, was a famous theater figure, who was sent to the Serov Theater in the year, who was in the economic crisis at that time.

Edgard Alexandrovich, despite his professional demand, bright appearance of a handsome man! He never protruded his wartime, but he fought at the front at the front, on his account-dozens of drunk German aircraft. He was seriously wounded, a disabled person of the Great Patriotic War, due to injuries and intense post-war work in recent years, he was chained to bed, he managed to make the main thing for Serov’s drama-in six years of fruitful work he pulled out the theater from an economic blockage: he arranged a tour, set up an internal discipline, built a repertoire, returned the viewer to the theater.

When the husband fell ill, Svetlana Vasilievna had to, if you want - you don’t want to help him in business, although she understood little in this.

Edgard slowly “dragged” her and brought her to the idea that after his departure she would take up the theater leadership. She resisted to the last. But there was no other way out-it made a promise for the theater, and for her personally, the test, which she was honored by the actress, the only thing she regrets, that, because of the theater leadership, she played almost nothing. And the years went, and many roles left with them.

Then the theater itself was more important to me, and not a personal acting career and I want to play something really worthwhile. ” And also-a tiny, almost wordless role in the play "Echelon", where she played an old Jewish woman. When she spoke from the stage her only monologue, she caught her breath in her throat and became quiet in the hall. So only the master can play.

Soon we will see Korolev in an interesting role in the already finished, but not yet released to the viewer of the play “Baba Chanel” based on the play by Nikolai Kolyada in the production of Alexander Sysoev. A performance that Chekhovites really hope for it! It so happened that the image of Kapitolina Petrovna, who at first did not intend to take obvious leading positions in the play in the play, all roles were written brightly and convexly, thanks to her game, acquired a very deep meaning.

In this role, much from herself. Her heroine dies at the end of the first act and, like a bird of Phoenix, is revived in the second: - Herring, give me herring. I want herring. They did not give herring. She is witty and even cynical, but her hood is an artistic person, and such a public is certainly needed to show herself. Maybe that's why Kapitolina and the “Light” chorus went.

Her heroine turned out with fate, and this is in the drama theater, perhaps the most valuable. And in the performance of Korolev, he plays his kapa not a summer old woman, but a woman who is interested in with herself, she is not bored of living. Let's hope that this role will replenish the list of actress’s favorite roles.Korolev recalls the Narodniks with an internal shudder.

Her directorship collapsed overnight, she was removed from business, the external reason was an “advanced” age. She was then looking at her today - forever youthful and energetic, playing and staged by the performances, even funny to talk about that date. It is easy to imagine what she experienced in those tragic days and months. The theater has ceased to be home. That is why she perceives the People’s Theater as salvation.

Although he did not bode any easy life, at that time he also experienced hard times. And now 15 years already together - both in joy and in sorrow. One creative family. Every year is a new performance, so that it is necessarily marked by victories at the Interregional Festival-Conduction of Amateur Art “Style-UMMC”. In the years, the performances “Canterville Ghost” and “Romeo and Juliet in Soldier's Overcoats” received diplomas of the 1st degree.

The new creative milestone in the biography of the director and the leader of the People’s Theater was her appeal to Orthodox culture. The Commonwealth with the Vicasny of the Cathedral of the Transfiguration of the Lord Simeon Shestakov led to a joint idea - the creation of performances of the Orthodox direction in the People’s Theater, which enjoy great success among the audience - and not only Serov, but also the Vrokhoturye.

In general, the actress can talk endlessly about her populists. One that in 15 years she released into adulthood hundreds of guys who have been led to reading, to art, to a more meaningful attitude to life, already a great thing! And there are also among them those who have chosen an acting profession, as well as work in the field of culture. So all the efforts were not in vain, she was among the 26 invited scene veterans.

The celebration took place in the Stravinsky Hall Helikon Opera surrounded by all media persons, and then there were three more days of excursions and meetings with leading theater craftsmen. Of course, we were waiting for Korolev from Moscow, like a triumph! Doomed on her inspired stories about everything seen and experienced. We forgot that this is not only Korolev, but also the queen!

.. Very calmly, without aspiration, she told and thought something, but in her life so: did she “boast” somewhere that she played with Oleg Yankovsky in Saratov on the same stage? That after her Aksinya in the “Quiet Don” - the play of the Rostov Theater, who thundered throughout the country, she met with the author - Sholokhov himself! She took part in the filming of the program “Meeting of two Axini” on television with the participation of the famous Elina Bystritskaya, who a little earlier played her Aksinya in the cinema.

So nothing surprising. In a word-the self-sufficient art of being the free character of Svetlana Koroleva was formed by a street and a granian grandmother. According to my mother’s line, all women were free, powerful, independent. Korolev’s childhood was born and grew up in Sverdlovsk post -war, hard. It was impossible to be spineless. With the younger sister, the People's Artist of the Irkutsk Theater of Drama named after Vampilova Natalya Koroleva!

Extreme games, for example, who is longing on the rails for the longest, will let the tram understand closer that Svetlana won. Either with the boys in the courtyard, then at school she refused to join the Komsomol-this is in those years! .. At 16, she escaped from home, wanted to break out from under the care of her mother. " At 16, she fell in love with her head of the theater studio, where her mother recorded her in order to somehow protect her from the street.

It was Leonid Rybnikov, who became her first husband and father of her only daughter Anna. I ran away with him from home. And her theater universities began.