Jadzotto Remo Biography

Tomaso Giovanni Albinoni, June 8, Venice, the Venetian Republic - January 17,, Venice - the Italian composer of the Baroque era. During his lifetime, he was known mainly as the author of numerous operas, however, he is currently using fame, and is regularly fulfilled, mainly his instrumental music. His Adagio Sol-Minor, in fact, late reconstruction is one of the most commonly recorded.

Tomazo Giovanni Albinoni, unlike most composers of that time, as researchers suggest, never sought to receive a position at court or church, but had his own expense and the opportunity to compose music independently. He was a native of the bourgeois environment and from childhood had the opportunity to learn singing and playing the violin. He lived at one time and in one place with Antonio Vivaldi.

Albinoni himself very modestly evaluated his composer abilities and signed under his works as “Venetian amateur” - “Dilettante Venete”. Albinoni's instrumental works have found a proper assessment from Johann Sebastian Bach. He used them in his work. Widely known during his lifetime, after the death of Albinoni, he was quickly forgotten, repeating the fate of Vivaldi and Bach. The work of Albinoni for a long time remained known only to the narrow circle of musicologists and experts in ancient music.

This situation remained until the middle of the last century. Albinoni is the author of more than 50 operas. He possessed a striking melodic gift, which he skillfully used not only when composing operas, but also for instrumental works, which he created a great many. Adagio Albinoni was first published by Remo Jadzotto in the year. In the year, Remo Jadzotto published an Albinoni biography, who worked in Germany in the years.

In the preface to the publication of Adagio G-Moll Tomazo Albinoni, the year Remo Jadzotto, claimed to restore the work on a small fragment that he found in the Milan library at the beginning of the forties.

There was simply no one to check the musicologist, the largest connoisseur of the composer's work. And not nowhere - a significant part of Albinoni's heritage was lost during the Second World War with the death of the Dresden State Library. In the city of Remo Jadzotto, he wrote to one German journalist that when preparing the biography of Tomazo Albinoni, at the beginning of the year he discovered four notes for violin and Bas General General Bas-Basso Numerato-was used by Italian composers, starting from the 16th century.

However, no one has ever seen the full score of Bas General. True, the assistant Remo Jadzotto preserved a photocopy of six bass and the bass party, however, musicologists have doubts that the music recorded there-the Baroque era of the professor of music of the University of Florence, the author of the biography of many famous Italian composers, was so high that they believed unconditionally.

Now few doubts that the author of Adagio is Remo Jadzotto himself. The Venetian composer of the Baroque Thomaso Baroque Giovanni Albinoni - GG. In the year, a famous musicologist and music teacher, professor of Luneburg University Wulf Diter Lurte, in co -authorship with Folker Schytyts, published fragments of letters from the Saxon land library, which states that such a musical fragment from Albinoni's heritage in the library was not found and has never been discovered in it, so the composition is generally unconditional in it.

Mistification of Remo Jadzotto. So or not, time will tell. Let the experts understand. Music itself is important to us! And it is such that there are a huge number of arrangements, arrangements, interpretations of this amazing masterpiece, both orchestral and vocal. How many performers later recorded this melody, do not count. And how many independent songs were created on its basis.

How are all these melodies similar? And they are similar to emotions that arise from their listening. Sadness, it seems, is a bright, but tearing heart. Sob to such music, and nothing more. And when the music is so emotionally “sneaking”, sometimes the melodic and harmonic contours in the memory are leveled, some collective image remains that “Adagio”, undoubtedly, “fake Jadzotto” and there were never any fragments of Albinoni's works in the Saxon library.

Remo Jadzotto himself never, in fact, claimed that the work belongs to Albinoni-only the fact that his "adagio" is a reconstruction based on the fragments found, with a total duration of only six! Yes, and the original name of the work was: "Remo Jadzotto. Adagio salt minor for strings and organ based on two fragments of the theme and digital bass Thomaso Albinoni." But, either Jadzotto’s desire to give out to be valid, he still found fragments of the work, but the fact that they belonged to Albinoni, judging by the subsequent studies, was unlikely whether some combination of circumstances played an angry joke with him.The popularity of Jadzotto himself is quite dubious in nature, but his work has become known all over the world under the authorship of Albinoni, gaining at the same time considerable popularity and Albinoni himself.

Professor of the history of music Remo Jadzotto - Gg. Recent notes:.